It is the time of year to slob out on the sofa and demolish a box of mince pies in front of a good movie, a awful feature, or one that’s so bad it’s good.
This year, a batch of latest seasonal stories strives to join part of our seasonal watchlist—potentially even finding a spot alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
So, in a noble effort to sort the crackers from the turkeys, and to find the festive feeling, I watched as many new Christmas films as possible in a single day.
Beginning, ideally, on a high. This is the only 2025 movie on a well-known aggregator's list of the greatest 100 Christmas movies of all time.
The musical trio end up stuck in the UK after wrapping up their world tour and must get home for Christmas. Their endeavors are hampered by an villainous Saint Nick, who bursts into melody to declare they won’t get home until they “rekindle their sibling bond.”
The back-and-forth between the squabbling siblings is amusing even for the casual viewer, while fans will no doubt catch lots of in-jokes as they try to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not an all-time classic, but is excellent for fans and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who are obliged to sit through it.
A-list actor Kiefer Sutherland has been cast as a celebrity cast a traditional British stage show.
“A panto-what??” asks Sutherland’s “difficult” and aging action hero Brad Mack, who has seen better days and whose manager has misled him into thinking he’s appearing in high-class London stage.
His Aladdin cast-mates tell him he’s playing Buttons. “Absolutely not,” he insists angrily. One can imagine their response. Except if you’re ignorant of traditional British theatre traditions.
There are some hilarious moments, some heartwarming sub-plots, and the ensemble is cracking, too.
It’s the kind of movie that would be a bit cheesy at another season, but is a great entertainment at Christmas.
Holiday verdict: 🎄🎄🎄🎄
A familiar face appears at the outset of this film, too, calling someone a mug for the next movie straight. Might this become a fresh holiday staple?
This time, he’s a musical taxi operator who encounters Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The familiar story develops as the miserly Mr Sood is confronted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least unique from all the others, but unfortunately he’s not very charismatic and Nayyar’s performance is flat—a major flaw when he’s so central to everything.
Christmas tree rating: 🎄🎄
There’s time for a channel's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) talks him into blowing the money on a holiday to Lapland.
There’s just one snag—he finds out there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to return the excess.
Pleasant yet unmemorable.
Festive score: 🎄🎄
This is one of those holiday movies where the festive trappings are in the backdrop—Christmas is the scene of the film rather than its main point—but it feels comfortable and seasonal all the same.
Ambitious executive Sydney (played by Minka Kelly) is assigned to a country estate to do a deal for a champagne business. On the way, she encounters a fellow in a literary haven who promises to show her Christmas in Paris.
An expert recently stated this is the best new Christmas film of the past few years. That’s a bit of a exaggeration, but it is a Christmas romance with a touch of class and gives the obligatory cozy feelings.
The scene with a lengthy discussion about Die Hard is particularly strong too.
Festive score: 🎄🎄🎄
Young Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the efforts of his dad (starring James Buckley) to tell him the truth.
The answer is to be discovered, and Chris embarks on a quest to find it with the expert help of a panel of well-known figures.
It’s gentle but sweet, and good viewing while expecting Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the mother of a quarrelling American family who come back together for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s what this is, but in execution it’s really a combination of those inspirations, at least until Pfeiffer’s character at last takes center stage.
Holiday verdict: 🎄🎄
The day’s gone downhill, but thankfully here’s a new offering in the packed genre of formulaic, schmaltzy, badly acted—and utterly watchable—festive fodder.
It’s a narrative as old as time: An American woman travels to a picturesque cold country and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
Mikael is a certified automotive engineer with over 15 years of experience in performance tuning and custom car modifications across Europe.