An new acronym came to light a few months following the onset of Israel’s bombardment of Gaza. Labeled WCNSF, it signifies “Child casualty without any family left”. This designation is specific to Gaza, according to doctors such as child health specialists. Normally, it is rare for physicians to attend to a minor who has seen the death of their complete family. But, there has been nothing “normal” concerning the widespread destruction in Gaza, where complete genealogies have been wiped out and the number of child amputees exceeds that of anywhere else in the world. No sense of normalcy in scores of doctors returning from a devastated terrain with reports of children being deliberately targeted.
Gaza remains a profound humanitarian disaster. Vital medicines and equipment are not getting in those in need, and international watchdogs assert that atrocities are ongoing. Authorities rejects these accusations, consistent with how it refutes everything it is implicated in. Yet as young survivors are now freezing in improvised encampments, there is a piece of uplifting information: apparently nothing is going to stop the Eurovision song contest from advancing its professed goal of “unity and cultural exchange.” The contest will continue to roll out a blood-red carpet for Israel, even though at least four European countries have now withdrawn in objection. Because this, it seems, is what global togetherness resembles.
Historically, Eurovision excluded Russia from participating in 2022 because of the “serious conflict in Ukraine”. However, the situation in Gaza appears to be entirely distinct.
Disregard the reality that Israel was accused of unfair vote practices last year in what seems to have been an bid to manipulate Eurovision. Set aside the news that a three-year-old girl was reportedly killed in Gaza just days ago. Pay no mind to the evidence that attacks by settlers and forced displacement in the West Bank have increased dramatically. Overlook the situation that international journalists are still denied freely reporting in Gaza. All of this, evidently, should be seen as a barrier of Eurovision’s cherished spirit of unity.
The contest reaches its seventieth anniversary next year – nearly twice the projected longevity of someone in Gaza today. The event will proceed, but it will likely never recapture the whimsical pleasure it historically embodied. A competition that initially championed harmony has transformed into a transparent instrument to whitewash war.
Mikael is a certified automotive engineer with over 15 years of experience in performance tuning and custom car modifications across Europe.