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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently founded the innovative techno group The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up injure myself quite a bit," he stated in 2023. "I fractured spinal bones in my back and cracked about five ribs and fractured my arm."

After catching pneumonia and suffering from sepsis, he was put in an medically-induced sleep and remained in hospital for half a year.

However, he had been in "a great place mentally" during the summer, as he worked on a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and so happy with the new album that we actually completed only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the fact that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant part of my existence and for the songs you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from joining a band, the connection is very tight," he continued.
"That was the case with us. We experienced so many extraordinary, extraordinary, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was put up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who changed his first name from Paul to David, alongside his sibling his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both learning art. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the quiet musician, hunched over his keyboard, while Almond was a flamboyant performer, all sparkle and makeup; but they achieved a unique musical alchemy.

Ball had developed a interest with synthesizers after viewing Kraftwerk perform on a television science show Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, selling millions of copies worldwide. Alongside successful tracks by other artists, Human League and Ultravox, it helped paved the path for the electronic music style of the 80s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to afford my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also caused challenges. "Sudden riches meant we could purchase newfound drugs to relieve the monotony" of press appearances and television shows, Ball explained.

"I realize that's a cliché, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

Following a further break, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on September 30, 2018.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's new album as a homage to the New York club scene they visited while recording their initial records.

He added that his time in hospital had influenced the group's music.

"I experienced strange recollections when I was coming and going of hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The last versions were completed only days before Ball died. It is scheduled for release in Spring 2026.

The writer

Kimberly Ortiz

Mikael is a certified automotive engineer with over 15 years of experience in performance tuning and custom car modifications across Europe.

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